Showing posts with label boards of canada. Show all posts
Showing posts with label boards of canada. Show all posts

20130611

First Listen - Boards of Canada - Tomorrow's Harvest



I've said before how much I dislike doing things for the first time. Reading books is fine, and watching plays, but when it comes to films and albums, your first impressions are to be distrusted at all costs. Your first exposure to something  is an experience to get out of the way as soon as possible. Only once it's been overcome and your mind's free of preconception and prejudice can you truly appreciate what's there to be appreciated.

First listens are problematic enough when it's an album by The National or My Bloody Valentine, but when it's your very favourite band? How are you supposed to approach something so weighty?

One of two ways. Either you make the circumstances as informal and off-hand as possible or you go to great lengths to make things special and memorable. Having pre-ordered it the night it was announced, I had always assumed that my first listen to Tomorrow's Harvest – the new Boards of Canada – would be on headphones, in the dark, on vinyl. Yeah. I'm one of them.

I'd completely forgotten, though, that my vinyl pre-order also came with an MP3 download code. And last night I found myself alone in the dark, a little drunk, a bit sad and quite scared. Perfect circumstances, I thought, to listen to Tomorrow's Harvest for the first time.

But it seems I was more drunk than I previously thought. Because I woke up this morning with no recollection of having listened to the album. However, I find that I'd posted a stream of hysterical messages on Twitter, along with a series of images sourced from lord knows where.

Looking at those messages and images this morning, I realise two things. First of all, that I must have had rather a lot of wine last night. Second of all, that I must listen to Tomorrow's Harvest again as soon as possible.




“62 minutes and I'm in love with life again (if a little terrified of the future)”
“IT'S THAT GOOD. IT'S FUTURE FEAR AND PAST YEARNING UNITED IN PRESENT BALM”
“Hey, Boards of Canada? You make EVERYTHING seem OK. I need you. As it happens. Who knew?”



“Oh lord. This is already filling the hole only partially filled by Pye Audio Corner and Ghost Box over the past 8 years.”

“NO MUSIC HAS EVER BEEN OR WILL EVER BE BETTER ARGH I'VE MISSED THEM SO MUCH”

“THIS IS WHY MY DREAMS HAVE BEEN SO MONOCHROMATIC FOR THE PAST 8 YEARS DON'T LEAVE ME AGAIN”





That, evidently, is how you handle first listens. It turns out you have to be drunk and it has to be dark.

20130429

Ready Player One - It's Egg Hunting Season!



In little over a week, the whole Boards of Canada Easter Egg Hunt has progressed significantly. At the time of writing, we have five of the six numbers – but we're still no closer to discovering what it all means.

It turns out that The Record Store Day Incident (as it's now being called – how Fortean!) was just the kick-off. Whilst everyone initially thought that there'd be a different code on each of the six records (of which only four have apparently been found), instead it appears that each code will reveal itself in a different way.

First there was all the rigmarole on the band's YouTube channel. Since then, subsequent codes have been variously revealed through clever gif manipulation; through broadcasts on NPR and on Zane Lowe's Radio 1 show (number stations!) and, best of all, through the above advert that was broadcast on The Cartoon Network (of all places).

The most intriguing event, though, has been a projection on the building opposite London's Rough Trade store (where the second vinyl was found). The staff of the store claimed total ignorance. And, despite rumours circulating that the door of the building would open at midnight (for the first Boards of Canada gig since 2002?), very little came of this.



Still, it seemed to confirm not just the authenticity of this whole thing (as if there remained any doubters), but also the unbearably exciting notion that something's happening.

Unfortunately, despite the fact that my love for Boards of Canada runs through me like the lettering on Blackpool Rock, my part in this will only ever be as an observer. With a string of six numbers making up a 36 digit code, it's obvious that this will ultimately present a mathematical problem.

Reincarnation is a nice idea, and I like to think that, before you regenerate, you get to choose certain traits – like an RPG character creation screen. Well, if I'm given a second chance of life, above all I'd like to try my hands at being somebody with an inherent interest in science, technology and mathematics.

At the moment, though scientific and mathematical theories can pique my interest, I feel as though the very wiring of my brain prevents me from truly comprehending anything I read about – let alone from forming or applying any of my own theories.

It's always been like this. At school I pushed myself to get an A in GCSE Maths, but I was really only learning by rote exactly the information that would be required to pass that specific exam. I had no underlying understanding or appreciation of the information, and I promptly forgot pretty much everything I'd learned the second I finally put my pencil down at the end of the exam.

Still. I might not have developed a very scientific mind, but I think I've more than made up for that through my love of music, films, history, words, grammar and stories – by which I mean books.

So whilst I can't play an active part in the Boards of Canada Easter Egg Hunt, I can at least enjoy it as a bloody good story.

And as a bloody good story, it's particularly enjoyable because the whole thing reminds me of a bloody good story I read recently.



Ready Player One by Ernest Cline is a very popular book indeed. It's so popular, that people dress as it for Halloween. Not as characters from the book, mind, but as the book itself.

I don't think even Twilight elicited that level of devotion.

Ready Player One takes place in 2044. The world isn't quite a post-apocalyptic wasteland, but society and the economy appeared to have collapsed and things are quite awful. So most people spend their time inside a ridiculously immersive virtual reality environment called OASIS.

Designed by an obsessive savant called Halliday, I really wish that OASIS actually existed in real life. It's a seemingly infinite universe in which you can be whoever you want, do whatever you want and fully-explore the locations of pretty much any sci-fi or fantasy universe you could care to mention.

Before passing away, Halliday reveals that he's hidden an Easter Egg somewhere in OASIS, and whoever finds it will inherit his vast fortune. The novel details the exploits of a player called Parzival and his friends in their quest to track down this elusive egg.

As the novel goes, it's far from perfect. It's told in the first person – from Parzival's perspective – and it's implied that he's telling his story so that future generations will understand “what really happened”. But if that's the case, I've no idea why he feels the need to pepper his narrative with such excessive cultural-economic infodumps. It's fascinating for us early 21st century readers to get an insight into his world, but surely Parzival's intended audience would already be painfully familiar with the world he's describing? After all, they've never known any other.

The world-building, then, is clumsy at best, and the final “message” appears to undermine absolutely everything that's come before. But still, Ready Player One remains some of the best genre fiction I've read in recent years.

This is partly because it's so engaging. The idea that your obsessive knowledge of pop culture might save the world (a virtual world at that) is very appealing to anyone who likes films, music and video games as more than just part of a lifestyle.

But the most remarkable thing about Ready Player One is that everything Parzival achieves he does so under his own volition - using a combination of knowledge, intuition and incredible courage. Parzival is therefore a real hero, and a most refreshing change from the “chosen one” trope that still seems to dominate genre fiction.

Honestly, is there anything more boring than a meek hero who has greatness thrust upon him? I'm certainly had enough of that idea. From now on, I only want heroes who know what they're doing, know why they're doing it and, crucially, who want to do it.

Which is why Ready Player One is such an engaging, refreshing read. All this useless knowledge I've built up over the years? It might not always be useless.

So my lack of mathematical knowledge might force me to take a regretful back seat in this Boards of Canada Easter Egg Hunt. But you never know. One day, there might be something greater at stake – the fate of the world! - and it might depend on deep knowledge and appreciation of my specific interests.

But until then, hey! New Boards of Canada album!

Probably. All of this has to lead to something.

20130422

The Return Of Boards of Canada



It's funny, sometimes, how things pan out.

I was listening to The Conet Project. I'm still listening to The Conet Project – it's about 4.8 hours long. So far I've recognised numerous sequences from Boards of Canada songs. It seems that every time a sequence of numbers appears in their music, it's a Conet Project sample.

But anyway, just as this spark of familiarity flared, I noticed on my Twitter feed that Boards of Canada are back, and they're back in the best way possible.

It seems that New York's Other Music was visited by a representative from Warp Records at about 15.00 on Record Store Day. They dropped off a record – just one – a supremely cryptic dispatch from Boards of Canada. This record was bought almost instantly by a Reddit user.

On the sleeve were a series of dashes, slashes and Xs, arranged thus:

—— / —— / —— / XXXXXX / —— / ——

On the record were about twenty seconds of music (which sound like a riff on the ambient intro to Everything You Do Is A Balloon) and a sequence of numbers (making it even stranger that I should have been listening to The Conet Project when I learned about this).



The numbers are 936557.

All we have beyond that is an upload to Boards of Canada's official Youtube channel – a new video for Julie and Candy from Geogaddi, entitled “1977 snow computing amateur footage beards synthesizer”. It was originally labelled with a series of dashes, which appeared initially at the 4:20 mark of the video, then, on the next day, at the 4:19 mark.



Consequence of Sound believe that they might be counting down to something. If a new album's in the pipeline, this suggests that it might be out in less than 300 days!

This has made me extremely happy for two reasons. First of all, a new Boards of Canada album. Get in.

But second of all, how often has it been said that the internet's stripped all mystery and romanticism from music? I'm looking at you, Twitter. Now that we're prithee to the every thought of every musician, it does feel as though we've lost something.

Also, we can now hear (and criticise) albums months before they're released. We can sing every word of every unreleased song ever played at a gig.

That Boards of Canada can retain this esoteric edge even in these days when everybody knows everything all the time is wonderful. Truly wonderful.

What's more, they appear to be using the internet not to spread information, but to spread mystery. It's been reasoned that there are six of these records (as there are five more dashes on the front of the record), and presumably they've been placed in locations all over the world.

Boards of Canada attract the sort of fans who'll pore over every clue they're given in an attempt to uncover whatever mystery's waiting to be uncovered. In releasing this dispatch in this way, they're encouraging people to get together online in order to pick apart and piece together what little information we have.

Case in point? On the same Consequence of Sound article as linked to above, it's already been pointed out in the comments that the sequence of numbers – 936557 – correspond to a turquoise sort of colour.

The significance of that is enough to indue a sharp take of breath for any Boards of Canada fan.

So next time anybody complains that music's been ruined irreparably by the internet, point them in the direction of Boards of Canada. It takes a very special kind of band to spread so much hype through saying so little.